Art that is spiritual delivers transcendence and breathes new life into the human soul. Throughout history, art has foretold the emergence of consciousness. How does one express the unexplainable? ... The subtle frequencies, while recently born from higher realms, are only graspable via abstraction, vibration and colour, therefore necessary for conceptual articulation to take place. Art encapsulates the long run in a timeless moment of amazement. It is interpreted through the vessel of the artist who is acting as a founder for the human collective.
The grandeur of archetypal spiritual symbology and human potential has become the cornerstone of art for millennia, shifting our perspective forth and back from the realization of our Godhood into the humility of our mortality. While Michelangelo shows the psychological side of humanity, this is captured by caravaggio through the play of dark and luminosity. Are we God? The artist is the vessel, traversing Jacob's ladder to grasp replies, using broadcasts that are clear or abstract to help us understand universal consciousness.
From the moment we take our first breathwe stream with the creative essence of consciousness. Artists are spiritual beings that tap into consciousness to create masterpieces.
Christian art is produced in an effort to illustrate, nutritional supplements and portray in form the fundamentals of Christianity, although definitions are possible. It is what it looks like and to make imagery of the beliefs in the world. Christian groups use or have used art to some degree, even though some have had objections to some forms of spiritual image, and there have been significant periods of iconoclasm within Christianity.
Most Christian artwork is built around themes familiar to the audience that is intended, or allusive. Story scenes from Christ's Life and images of Jesus are the most common subjects, especially the pictures of Christ on the Cross.
Scenes from the Old Testament and a part in the art of most Christian denominations play. Images of the Virgin Mary, holding the baby Jesus, and pictures of saints are much rarer in artwork that is Protestant than that of Eastern Orthodoxy and Roman Catholicism.
For religious paintings the sake of the illiterate, an elaborate system that was iconographic designed to identify scenes. Saint Agnes depicted Saint Peter, with a lamb with a shamrock with keys. Every saint holds or is associated with symbols and attributes in sacred art.
Main article: Islamic art
A prohibition against depicting representational images in religious art, in addition to the naturally decorative character of Arabic script, led to the use of calligraphic decorations, which usually involved repeating geometrical patterns and vegetal forms (arabesques) that expressed ideals of order and nature. These were used on carpets religious architecture, and documents.  art has reflected this balanced, harmonious world-view. It focuses on religious essence rather than physical form.
This is a Sunni view while there has been an aversion to idol worship through history. Persian miniatures, together with medieval depictions of Muhammad and angels in Islam, stand in spite of the modern Sunni tradition. Additionally, Shi'a Muslims are less averse to the depiction of figures, including the Prophet's as long as the depiction is respectful.
The Islamic resistance to the representation of living beings ultimately comes from the belief that the creation of forms that are living is unique to God. It is because of this that the function of pictures and image makers has been controversial.
The most powerful statements on the topic of figural depiction are created in the Hadith (Traditions of the Prophet), where painters have been challenged to"breathe life" into their creations and threatened with punishment on the Day of Judgment.
The Ardabil Carpet, probably the finest surviving Persian rug, Tabriz
The Qur'an is less specific but condemns idolatry and uses the Arabic term musawwir ("manufacturer of forms," or artist) as an epithet for God. Partially as a result of this religious sentiment, figures in painting were often stylized and, in some cases, figurative artworks' destruction happened. Iconoclasm was known in the period and aniconicism was a feature of the Judaic world, thus placing the Islamic objection to representations within a larger context. As ornament figures were devoid of any significance that is larger and therefore posed less challenge. As with other types of ornamentation, artists freely adapted and stylized human and animal forms, giving rise to a variety of designs.
Main article: Islamic calligraphy
Calligraphy is a highly regarded element of art that is Islamic. The Qur'an inherent within the script, and was transmitted in Arabic is the potential for ornamental forms. Calligraphy as ornament's employment had a definite appeal but frequently included an inherent talismanic component. While works of art had inscriptions that were legible, not all Muslims would have been able to read them. An individual should always keep in mind that calligraphy is principally a way to transmit a text, albeit in a form that is decorative. From its simple and primitive early examples of the 5th and 6th century AD, the Arabic alphabet developed rapidly after the rise of Islam in the 7th century into a beautiful form of art. Calligraphic styles' two families were the dry styles, known as the Kufic, as well as the cursive styles, including Naskhi, Virtosu, Nastaliq and others.